Statement

Andersson's artistic practice revolves around self-portraits, surrealism, and psychological realism. Situated at the intersection of fine art and psychology, her practice combines these disciplines to investigate the psyche and examine the complex relationship between the body and mind.

She takes inspiration from the surrealist movement and artists such as Louise Bourgeois, Frida Khalo, Jenny Saville, and René Magritte. Her primary mediums are oil and acrylic paint. She also employs sculptural mediums such as wood, clay, plaster, and rope. Her practice relies on a deeply immersive process of creation, embracing the joy of creation and the thrill of experimenting with unconventional materials like coffee, spray insulation foam, and acrylic casting.

She aims to create works that are disturbing to look at but insist on being observed. The artist attempts to produce this conflict within the observer through the juxtaposition of grotesque and beautiful elements, exploring their ability to repel and seduce.